The large majority of the film moves at a loud pace
The large majority of the film moves at a loud pace with fast cuts and well-timed edits to maximise every joke’s potential. It’s a daring move Gordon-Levitt’s [*fr1], however it’s necessary as a results of the huge majority of “Don Jon” consists of caricatures that need the humor boost. Johansson’s Barbara is type of a “Jersey Shore” transplant with a upset. One minute she’s kind, caring, and to boot the lady of Jon’s dreams, however following, she’s hard-to-please, unforgiving, and a borderline lunatic. The transition is harsh, jarring, and primarily makes the character one giant joke. However, it’s Barbara’s impact on Jon that’s vital to the character’s success and through this respect, Johansson gets the duty done. Tony Danza, Glenne Headly, and cheese Larson earn some laughs as Jon’s family, however the shtick eventually sputters out, creating their primary contribution building Jon’s backstory and giving his current quandary a stronger framework.