Re: Serious V20 Problem!!
Well. The frequency range and bit depth were also decided based on means of transportation for recordings to CD publishing houses. It was not purely based on absolute sound quality.
You have provided effectively zero data to debunk why a properly mastered high resolution file sounds better than CD quality and have instead stuck to frequency response and bit depth.
I thought everybody knew why 44.1kHz is enough, in case you're not aware the reasons are summarised concisely with references here:
https://en.wikipedia.org/wiki/44,100_Hz
Otherwise, I have already provided other evidence. See for example:
24/192 Music Downloads are Very Silly Indeed
I have not claimed it has anything to do with frequency or bit depth specifically (though but definition of "high resolution" I also can't say unequivocally that it doesn't). I have claimed that I can hear a difference and that one sounds better than the other. I have stated that I ruled out placebo. I did not state why I think it sounds better because science does not know the answer.
Then what are you saying? Are you comparing like with like?
This is what I am saying. Take a high resolution sound file (there are good reasons to use >48kHz and especially greater than 16 bits during recording). Convert it properly to 48kHz (or 44.1kHz) and 16 bits. Listen to both the original and the downsampled versions in a blind A/B test. People are not able to tell the difference (i.e. preference tends to 50% for each over repeated tests).
From what you say, it sounds like you may be comparing differently mastered versions. It's certainly possible that you can tell the difference between versions derived from different original masters, because they are, well, different.
We're stuck with non-scientific terms like "airyness", "dynamics", "impact" and others that can be interpreted in different ways.
My point is that your insistence on making the point of "CD quality is all we need" does not properly explain why people can hear an audible difference between better than CD quality and CD quality.
Much like 24fps for video was decided on because of film cost, CD quality was decided because it was the bare minimum needed to reproduce the frequency range of human hearing on the available means of transportation at the time. It was at least partially (if not entirely) a cost saving decision.
That does not make it the "ceiling" for audio quality.
24fps video and 44.1kHz audio is not a valid comparison. 44.1kHz was chosen because it was and is a bit over 2x20kHz, so above the Nyquist limit. You can call that the bare minimum if you like, but it's a bare minimum to cover what humans can actually hear and therefore is by definition good enough.
24fps was chosen indeed partly for practical reasons (although curiously audiences seem to prefer it over higher frame rates for cinematic content - but that's a discussion for another thread).